Typology and Thematic Analysis of Public Sculptures in Abeokuta Metropolis, Ogun State, Nigeria
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INTERNATIONAL JOURNAL OF RESEARCH AND INNOVATION IN SOCIAL SCIENCE (IJRISS)
Abstract
Public sculptures constitute important visual and cultural assets that enrich urban landscapes through their
commemorative, historical, aesthetic, educational and socio-political functions. In Abeokuta, Ogun State, these
sculptures are strategically located in public spaces, roundabouts, parks, institutional premises, cemeteries and
civic centres, where they contribute to the preservation of cultural heritage and the formation of urban identity.
Despite their visibility and significance, there is limited scholarly documentation of their typological
classifications, thematic orientations and stylistic characteristics. This study therefore examined the typology,
thematic content and stylistic characteristics of public sculptures in Abeokuta with a view to documenting their
forms, materials, functions and symbolic significance. The study adopted a qualitative research design,
employing field observation, photographic documentation and descriptive visual analysis of twenty-two
purposively selected public sculptures across the metropolis. Findings revealed that the sculptures are
typologically classified into historical, commemorative, cultural, religious, decorative, social and funerary
(cemetery) categories. Stylistically, realism and stylised realism predominate, while reinforced concrete,
concrete and fibre glass are the principal media employed. Thematically, the sculptures communicate historical
memory, heroism, cultural identity, indigenous beliefs, social cohesion, women's contributions and
environmental aesthetics. The study concludes that public sculptures in Abeokuta function as enduring
repositories of cultural memory, historical documentation, and urban identity, while contributing significantly
to the city’s aesthetic character. It recommends the formulation of sustainable policies for the documentation,
conservation, maintenance, and integration of public sculptures into urban planning and cultural heritage
management programmes